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1976 studio album by the Eagles

Hotel California
Hotelcalifornia.jpg
Studio album by

the Eagles
Released December eight, 1976[1]
Recorded March – Oct 1976
Studio
  • Criteria (Miami)
  • Tape Plant (Los Angeles)
Genre Rock
Length 43:28
Label Aviary
Producer Bill Szymczyk
Eagles chronology
Their Greatest Hits (1971–1975)
(1976) 		Hotel California
(1976) 		The Long Run
(1979)
Singles from Hotel California
  1. "New Kid in Town"
    Released: December seven, 1976[one]
  2. "Hotel California"
    Released: February 22, 1977[i]
  3. "Life in the Fast Lane"
    Released: May 3, 1977[one]
Eagles studio album chronology
I of These Nights
(1975) 		Hotel California
(1976) 		The Long Run
(1979)

Hotel California is the 5th studio album by American rock band Eagles. Released on December eight, 1976 by Asylum records. Hotel California was recorded by Bill Szymczyk at the Criteria and Record Plant studios betwixt March and October 1976. It was the band's outset album with guitarist Joe Walsh, who had replaced founding member Bernie Leadon, and is the final album to feature bassist Randy Meisner. The front cover is a photo of the Beverly Hills Hotel by David Alexander.

Hotel California topped the US Billboard Acme LPs & Tapes nautical chart. At the 20th Grammy Awards, the Eagles won a Grammy Award for "Hotel California", which won Tape of the Year, and for "New Child in Town". The anthology was nominated for Album of the Year but lost to Fleetwood Mac'due south Rumours. Three singles were released from the album, with 2 topping the Billboard Hot 100, "New Kid in Town" and "Hotel California", whilst "Life in the Fast Lane" reached No. xi.

Hotel California is one of the best-selling albums of all time. It has been certified 26× Platinum in the US, and has sold over 32 one thousand thousand copies worldwide, making it the ring's best-selling anthology later on Their Greatest Hits (1971–1975).[2] It has been ranked equally one of the greatest albums of all fourth dimension. In 2003 and 2012, information technology was ranked number 37 on Rolling Stone 's list of "The 500 Greatest Albums of All Fourth dimension". A 40th ceremony special edition of Hotel California was released in November 2017.

Theme

The commencement song written for the anthology was "Hotel California", which became the theme for the album.[3] Henley said of the themes of the songs in the album:

They're the aforementioned themes that run through all of our piece of work: loss of innocence, the price of naiveté, the perils of fame, of backlog; exploration of the dark underbelly of the American dream, idealism realized and idealism thwarted, illusion versus reality, the difficulties of balancing loving relationships and work, trying to foursquare the alien human relationship between concern and fine art; the abuse in politics, the fading away of the Sixties dream of "peace, love and agreement."[3]

On the title "Hotel California", Henley said that "the word, 'California,' carries with it all kinds of connotations, powerful imagery, mystique, etc., that fires the imaginations of people in all corners of the earth. At that place's a congenital-in mythology that comes with that word, an American cultural mythology that has been created by both the film and the music industry."[3] In an interview with the Dutch magazine ZigZag shortly earlier the album's release, Don Henley said:

This is a concept album, at that place's no way to hibernate it, only information technology'southward not set in the old W, the cowboy thing, you know. It'due south more urban this time (…) It'southward our bicentennial yr, yous know, the state is 200 years one-time, so we figured since we are the Eagles and the Eagle is our national symbol, that we were obliged to make some kind of a lilliputian bicentennial statement using California as a microcosm of the whole U.s.a., or the whole earth, if you lot will, and to endeavour to wake people upwards and say 'We've been okay so far, for 200 years, just we're gonna have to alter if we're gonna continue to be effectually.'"[four]

Composition

Bernie Leadon, who was the primary country influence in the ring, left the ring afterwards the release of the previous album One of These Nights. For Hotel California, the band fabricated a conscious conclusion to movement away from country rock, and wrote some songs that are more rock & roll, such as "Victim of Love" and "Life in the Fast Lane". Leadon was replaced by Joe Walsh who provided the opening guitar riff of "Life in the Fast Lane" that was then developed into the song. The title for "Life in the Fast Lane" was inspired by a conversation between Frey and his drug dealer during a loftier speed car ride.[5]

The chord progression and basic melody of the title track, "Hotel California", was written by Don Felder. Don Henley wrote nearly of the lyrics, with contributions from Glenn Frey. Henley noted that the hotel had become a "literal and symbolic focal point of their lives at that time", and it became the theme of the song. Frey wanted the song to exist "more cinematic", and to write it "but like information technology was a movie". Henley sought inspiration for the lyrics past driving out into the desert, as well as from films and theatre.[6] Parts of the lyrics of "Hotel California" too equally the song "Wasted Time" were based on Henley'south interruption up with his then girlfriend Loree Rodkin.[7] [8]

Frey, in the "Hotel California" episode of In the Studio with Redbeard, spoke most the writing of "The Last Resort". Frey said: "It was the first fourth dimension that Don took it upon himself to write an ballsy story and we were already starting to worry virtually the environment… nosotros're constantly screwing upwards paradise and that was the bespeak of the vocal and that at some point there is going to be no more new frontiers. I hateful we're putting junk, er, garbage into space at present."[9]

Recording

The anthology was recorded between March and October 1976 at Criteria Studios, Miami and Record Plant Studios, Los Angeles, and produced by Bill Szymczyk.[ten] Although the ring favored Los Angeles, the producer Szymczyk wanted to record in Miami as he had developed a fear of living on a fault line in Los Angeles later on experiencing an earthquake, and a compromise was then struck to split the recording at both places.[5] While the band were recording the album, Black Sabbath were recording Technical Ecstasy in an adjacent studio at Criteria Studios in Miami. The band was forced to stop recording on numerous occasions because Black Sabbath were too loud and the audio was coming through the wall.[xi] The last runway of the album, "The Last Resort" had to exist re-recorded a number of times due to noise from the adjacent studio.[5]

For the championship runway "Hotel California", afterward the arrangement and instrumentation had been refined, several takes were recorded. The best parts were so spliced together, in all 33 edits on the two‑inch master, to create the final version.[10] In contrast, "Victim of Dear" was recorded in a live session in studio apart from the lead vocal and the harmony on the choruses which were added later. Don Felder initially sang the pb vocals in the many early takes for the vocal, but the band felt that his efforts were non upward to the required standard, and Henley then took over as the pb.[5]

According to Henley in a 1982 interview, the Eagles "probably peaked on Hotel California." Henley said: "After that, nosotros started growing apart as collaborators and as friends."[12]

Artwork

Eagles performing "Hotel California" in 2010 with the image from the album comprehend in the background

The front embrace artwork is a photograph of The Beverly Hills Hotel shot just before dusk by David Alexander with design and art management by Kosh.[13] According to Kosh, Henley wanted him to find a place that can portray the Hotel California of the album title, and "portray it with a slightly sinister edge". Iii hotels were photographed, and the one with The Beverly Hills Hotel was selected as the cover. The photographer shot the epitome lx anxiety above Dusk Boulevard on height of a cherry picker.[14] As the image was taken from an unfamiliar vantage signal in fading light, most people did not initially recognize the hotel. However, when the identity of Beverly Hills Hotel was revealed, the hotel threatened legal activity over the use of the image.[5]

The rear album cover was shot in the lobby of the Lido Hotel in Hollywood.[xv] [16] The gatefold prototype shows the same lobby but filled with members of the ring and their friends. Henley said: "I wanted a collection of people from all walks of life, It'due south people on the edge, on the fringes of social club." A shadowy figure appears on the balcony in a higher place the lobby, which led to speculations over the person's identity.[17]

Kosh designed a Hotel California logo as a neon sign which was used on the anthology cover and in its promotional materials. Every bit it proved difficult to bend real neon tubings into the desired shape of the script, the neon issue of the logo was achieved with airbrush by Bob Hickson. Additional portraits of the ring used in the album package and promotional materials were shot by Norman Seeff.[14]

Release

The album was released by Asylum Records on December eight, 1976, in vinyl, cassette and 8-runway cartridge formats. Information technology was considered for quadraphonic release in early 1977, but this idea was dropped following the demise of the quadraphonic format. On the album'south 25th anniversary in 2001, it was released in a Multichannel 5.ane DVD-Audio disc. On August 17, 2011, the album was released on a hybrid SACD in Japan in The Warner Premium Sound series, containing both a stereo and a 5.1 mix.[xviii]

Original vinyl pressings of Hotel California (Elektra/Asylum itemize no. 7E-1084) had custom moving-picture show labels of a blueish Hotel California logo with a yellowish background. These also had text engraved in the run-out groove of each side, standing an in-joke trend the band had started with their third album On the Border. The text reads: Side 1: "Is It six O'Clock Yet?"; Side two: "V.O.L. Is V-Slice Live", indicating that the song "Victim of Dearest" was recorded in a live session in studio, with no overdubbing. Joe Walsh and Glenn Frey ostend this on the inner booklet of The Very All-time Of.[19] This just referred to the instrumental track, even so; the lead song and harmony for the chorus were added later. This was in response to those who criticized the Eagles' practice of copious overdubbing of instruments and that they were too clinical and soulless in the studio. They wanted to demonstrate that they could play together without overdubs if they wanted to.[v]

A 40th anniversary deluxe edition was released on November 24, 2017. The set includes the original remastered album, and a second CD that features 10 alive tracks from the concert at The Forum, recorded in October 1976 two months earlier the original release of the anthology.[20]

Disquisitional reception

Retrospective professional reviews
Review scores
Source Rating
AllMusic [21]
Christgau's Tape Guide B[22]
The Encyclopedia of Pop Music [23]

Hotel California was met with more often than not positive reviews. Hamlet Voice critic Robert Christgau felt information technology was their "most substantial if not their most enjoyable LP",[22] while Charley Walters of Rolling Stone felt it showcased "both the best and worst tendencies of Los Angeles-situated rock".[24] Both critics picked up on the album's California themes – Christgau remarking that while it may in places be "pretentious and cavalier" and that "Don Henley is incapable of carrying a mental state as circuitous every bit self-criticism", the band couldn't have written the songs on side ane "without caring nigh their California theme down deep";[22] Walters in contrast felt the "lyrics present a disarming and unflattering portrait of the milieu itself", and that Don Henley'due south vocals express well "the weary cloy of a victim (or observer) of the region's luxurious backlog".[24] Billboard gave the album high praise: "The casually beautiful, quietly-intense multileveled vocal harmonies and brilliant original songs that meld solid emotional words with lovely tune lines are all back in force, keeping the Eagles at the acme of audio-visual electric soft rock." It noted that, fifty-fifty though the album did not attempt out any new difference other than the "Procol Harum-type" championship track, "the album proves that in that location's a lot more left to explore profitably and artistically in the L.A. countryish-rock style."[25] [26]

Retrospective reviews have too been positive. Robert Hilburn of the Los Angeles Times, writing subsequently the ring broke up, called the anthology "a legitimate rock masterpiece", in which the ring "examined their recurring theme about the American Dream with more precision, power and daring than always in such stark, uncompromising songs as "Hotel California" and "The Final Resort"."[27] William Ruhlmann from AllMusic later said "Hotel California unveiled what seemed virtually like a whole new band. It was a band that could be flatulent, only also one that made music worthy of the later tag of 'classic rock', music appropriate for the arenas and stadiums the band was playing."[21] Steve Holtje, writing for CultureCatch in 2012, felt that even though "an atrocious lot of the anthology is snarky whining from co-leaders Don Henley and Glenn Frey, two guys who didn't really seem like they had that much they could legitimately complain about", in the final analysis "Hotel California and the underrated concept anthology Desperado stand as the group's greatest statements".[28]

Accolades

Hotel California was the Eagles' 6th album (including Their Greatest Hits (1971–1975)), and fifth of original material. It became a critical and commercial success. In a poll of rock critics and DJs in 1987, it was ranked 48 out of 100.[29] In a public poll for the 1994 edition of All Fourth dimension Height grand Albums, it was voted number 107,[xxx] and then number 67 in the 2000 edition.[31] In 2001, the Television receiver network VH1 placed Hotel California at number 38 on their 100 Greatest Albums of All Time listing. Hotel California was ranked 13th in a 2005 survey held by British boob tube'south Channel four to decide the 100 greatest albums of all time. In 2003, the album was ranked number 37 on Rolling Stone mag's list of the 500 greatest albums of all time,[32] maintaining the rating in a 2012 revised listing,[33] dropping to number 118 in the 2020 reboot of the list.[34]

The song "Hotel California" was ranked number 49 on Rolling Stone 'due south list of "The 500 Greatest Songs of All Time" in 2004.[35] It maintained the ranking in 2010,[36] and was re-ranked at number 311 in 2021.[37]

Awards and nominations

The album was nominated for several Grammy awards in 1978 and its title track "Hotel California" won the Record of the Year. The band director Irving Azoff however refused requests by the Grammy producer for the band to nourish or perform at the ceremony unless a win was guaranteed. The band therefore did non appear at the anniversary to collect their awards. Henley after said: "The whole idea of a competition to see who is 'best' simply doesn't appeal to us."[5]

Year Honour Nominee Category Result
1978 Grammy Eagles for "Hotel California" Tape of the Year Won
Eagles for "New Kid in Town" Best Arrangement For Voices Won
Eagles for Hotel California Best Popular Vocal Operation past a Group Nominated
Eagles for Hotel California Album of the Twelvemonth Nominated
Neb Szymczyk Producer of the Yr Nominated

Commercial functioning

The anthology kickoff entered the The states Billboard 200 at number four,[38] reaching number 1 in its fourth calendar week in January 1977.[28] [39] It topped the nautical chart for eight weeks (not-consecutively), and it was certified platinum by the Recording Manufacture Clan of America (RIAA) in a week of release.[40] In its first year of release information technology sold virtually 6 meg copies in the U.s.,[41] and by July 1978 it has sold 9.5 million copies worldwide (7 meg in the The states and two.five million elsewhere internationally).[42] On March 20, 2001, the album was certified 16x platinum past the Recording Industry Association of America, denoting shipment of 16 one thousand thousand in the United States,[40] [43] and had sold over 17 million copies in the US by 2013.[44] Worldwide the anthology has sold 32 meg copies.[45] On Baronial 20, 2018, the anthology was certified 26× platinum past the RIAA for 26 meg units consumed in the Usa nether the new system that tallies album and digital track sales as well as streams.[46]

The album produced two number one striking singles on the US Billboard Hot 100: "New Kid in Boondocks", on February 26, 1977, and "Hotel California" on May seven, 1977.[47]

Track list

Side i
No. Title Writer(s) Lead vocals Length
i. "Hotel California"
  • Don Felder
  • Don Henley
  • Glenn Frey
 Don Henley 6:30
2. "New Child in Town"
  • Henley
  • Frey
  • J.D. Souther
 Glenn Frey 5:04
3. "Life in the Fast Lane"
  • Henley
  • Frey
  • Joe Walsh
 Henley 4:46
4. "Wasted Time"
  • Henley
  • Frey
 Henley iv:55
Side two
No. Championship Writer(s) Lead vocals Length
1. "Wasted Time" (Reprise)
  • Henley
  • Frey
  • Jim Ed Norman
 instrumental 1:22
2. "Victim of Love"
  • Felder
  • Henley
  • Frey
  • Souther
 Henley four:11
three. "Pretty Maids All in a Row"
  • Walsh
  • Joe Vitale
 Joe Walsh 4:05
4. "Try and Love Once again" Randy Meisner Randy Meisner v:10
5. "The Last Resort"
  • Henley
  • Frey
 Henley seven:25
40th Anniversary Edition Bonus Disc (Alive at the LA Forum October 20–22, 1976)
No. Title Writer(s) Lead vocals Length
one. "Take It Like shooting fish in a barrel"
  • Frey
  • Jackson Browne
 Frey iv:48
2. "Take Information technology To The Limit"
  • Henley
  • Frey
  • Meisner
 Meisner five:19
3. "New Child In Town"
  • Henley
  • Frey
  • Souther
 Frey iv:53
4. "James Dean"
  • Henley
  • Frey
  • Souther
  • Browne
 Frey 3:50
5. "Skilful Day In Hell"
  • Henley
  • Frey
 Frey and Henley five:29
six. "Witchy Adult female"
  • Henley
  • Bernie Leadon
 Henley iv:21
seven. "Funk 49"
  • Walsh
  • Dale Peters
  • Jim Fox
 Walsh 4:04
8. "One Of These Nights"
  • Henley
  • Frey
 Henley 3:53
9. "Hotel California"
  • Felder
  • Henley
  • Frey
 Henley half dozen:50
x. "Already Gone"
  • Jack Tempchin
  • Robb Strandlund
 Frey 5:16

Personnel

Adapted from AllMusic.[48]

Eagles

  • Don Felder – guitars, backing vocals, pedal steel (on The Last Resort)
  • Glenn Frey – guitars, bankroll vocals, keyboards, lead vocals
  • Don Henley – drums, percussion, lead vocals, backing vocals, synthesizer
  • Randy Meisner – bass, backing vocals, lead vocals, guitarrón
  • Joe Walsh – guitars, keyboards, bankroll vocals, lead vocals

Production

  • Bill Szymczyk – producer, mixing
  • Allan Blazek, Bruce Hensal, Ed Mashal, Nib Szymczyk – engineers
  • Jim Ed Norman – cord arrangements, conductor
  • Sid Sharp – concert principal
  • Don Henley, John Kosh – art direction
  • John Kosh – blueprint
  • David Alexander – photography
  • Kosh – artwork
  • Norman Seeff – poster pattern
  • Ted Jensen – mastering and remastering
  • Lee Hulko – original LP mastering

Charts

Certifications and sales

See also

  • Listing of all-time-selling albums
  • Listing of best-selling albums in the United States
  • Listing of diamond-certified albums in Canada
  • List of Billboard 200 number-ane albums of 1977

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Source: https://en.wikipedia.org/wiki/Hotel_California_(Eagles_album)

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